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On Music Compilation: 12 Dances, TRJJ turn disguised authorship into groove: twelve slow, zoned, sample‑rich “dances” that treat anonymity as a filter, stitching African and American folk, free improv and loner ambient into one beautifully crooked co…
On State Music, Laurent Güdel turns his fascination with classic electronic studios into a political instrument, folding EMS, KSYME, Radio Belgrade and Columbia CMC into a critical sound‑essay on funding, soft power and the uneasy bond between DIY dr…
On Die Dritte Ebene, Emilio Gordoa and Sven‑Åke Johansson let vibraphone, drums and accordion run in seemingly parallel lines until a mysterious “third layer” appears - a ghost‑music of overtones, pulse and texture that neither player could summon al…
On Clandestine Anticipation, Krisma leave Italo-disco behind for a humid, video‑age dystopia, nine songs where synthetic funk, proto‑industrial atmosphere, and tropical mirages collide into one of the strangest Italian pop artefacts of the early 80s.
Doug Aitken in collaboration with Grant Gershon. Produced by Austin Meredith and Rodaidh McDonald. Performances by the Los Angeles Master Chorale and the Los Angeles Philharmonic. 180g blue vinyl in an embossed, gloss-UV outer sleeve
Copenhagen-based multi-instrumentalists Jason Dungan and Johan Carøe didn’t set out to make an album. Instead, as the title ‘Routine’ suggests, they found their way there through a process of habitual making and listening, developing an intuitive mus…
Stern Records is proud to present Our Broken Time Machine, welcoming back Bug Bus Piano with their second full-length release on the label. As a freshly assembled puzzle swells, countless connections begin to bubble within the slowly buckling square.…
Mitsuru Tabata began his musical career in 1982. Since then, he has played a key role in many of Japan’s most influential underground and experimental groups, including Noizunzuri, Boredoms, Leningrad Blues Machine, YBO2, Zeni Geva, Acid Mothers Temp…
Two of Henning Christiansen’s tape works from the 1980’s, Peter der Große op. 174 (1986) and Gudbrandsdal op. 178 (1987), are now released for the first time by the Institute for Danish Sound Archaeology.
2026 stock. Very last copies around. Long understood as the realm of advanced composition, plumbed only by a small handful of adventurous listeners, the spirit which began the history of tape music and musique concrète, is too often overshadowed and …
2026 stock. Very last copies around. Bent Lorentzen is widely considered one of the key figures and pioneers of early Danish electronic music and he was one of a few classically trained composers seeking out the possibilities of the new technology in…
2026 stock. Sold out at source, very last copies around. The record is accompanied by a 24-page booklet illustrated with Knud Viktor’s photos, as well as an extensive essay. Only a few weeks ago, with their incredible 10", rescueing long lost works b…
Double LP reissue, remastered. Two original albums - Ambiances and Images (early 1970s) - collected on one set. Includes inlay with the original liner notes and a selection of Viktor's paintings, photographs and film stills. Institut for Dansk Lydark…
It seems like it was only a few months ago that Jim O’Rourke changed everything with the release of the incredible Eureka. And if you actually think that, then by George, you’re the Rip van Winkle of 90s rock! It hasn’t even been a few months since J…
3/3 is best known as the precursor to Friction, one of the most influential bands in the history of Japanese rock. Despite the fact that their only album was originally selfproduced in 1975 in an extremely limited run of just ten copies, it has since…
Radically exploratory, Raphael Loher’s Figuren is an album shaped by process and experimentation. Guided by intuition, listening, and a deliberate distancing from his primary instrument—the piano—, the LP marks a decisive step in the Swiss pianist an…
Electric Sandwich were founded in Bonn in 1967 and played sophisticated progressive rock. Their first gigs were in 1968. At a band competition on 16 October 1971, they shared second place with the Scorpions and impressed so much that they immediately…
Lindwurm were formed in 1972 in Uelzen and played a somewhat rough-edged progressive rock. The reference to Hanover, which you sometimes come across, is not accurate. Nor should they be confused with the jazz-rock group of the same name from Jork-Moo…