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Unknown Rivers is bassist Luke Stewart’s debut for Pi Recordings. An omnipresent and galvanizing force on the music scene, Stewart is a leader or co-leader of such bands as Irreversible Entanglements, Exposure Quintet, Blacks’ Myths, Heart of the Gho…
*2024 stock* As was the case with Ethiopiques 1 and 3, this 24th CD in the Ethiopiques collection presents a selection of powerful pieces from the historical Amha Records catalogue. We meet again with such artists as Ayaléw Mèsfin, Gétatchèw Kassa an…
*2024 stock* The story of Orchestra Ethiopia (1963-1975) is unusual and compelling in more ways than one. Just as modern music was reaching the peak of its excellence and popularity, at the very same moment, via Orchestra Ethiopia's unlikely undertak…
*2024 stock* Alèmayèhu Eshèté is no less than one of the great voices of the heyday of modern Ethiopian music -- the Swinging Sixties which, in Ethiopia, went on until the fall of the Emperor Haile Sellassie I in 1974. On a par with Tlahoun Gèssèssè,…
*2024 stock* An outstanding pianist and a remarkable composer, Emahoy Tsegué-Maryam Guébrou, now a Christian nun in a Jerusalem monastery, recorded her own piano solo works, seeped in Ethiopian culture. Their rich, personal poetry brings to mind Carl…
Following the ambitious all-analog explorations of “Imperfect Space Journeys” (1988) and “Live Electronic Music” (1989), Jeff Carney was determined to push further into new sonic territories and to continue to strive for even more originality while n…
"It was 1979, and I was barely 5 years old. Some memories are impressed on my mind with a sort of solarized texture, like in the photographs of the period, full of icons and myths. My father Franco and mother Luciana were like crazy pinballs, touring…
Brian Marsella is one of the most accomplished keyboard virtuosos in the Downtown scene. A vital member of projects by Cyro Baptista and John Zorn for decades, his fluid keyboard stylings and intense energy is legendary—and Medietas is his masterwork…
Thirty-three years after their first meeting, Samsara is a spectacular reunion of three of the world's most extreme musical explorers—John Zorn, Bill Laswell, and Mick Harris.
This long-awaited third volume featuring John Zorn's newest and most exciting ensemble, New Masada Quartet was recorded live at Roulette, one of Zorn's home bases in NYC. White hot and razor sharp, an intense electricity is in the air from the very f…
For their thirtieth anniversary, Ultra-Red, the international sound art and popular education collective is releasing the first volume of Ulta-red: A Journal of Militant Sound Inquiry, investigating movement-based listening practices that take the fo…
In Straight Up, Without Wings, Joe McPhee surveys sixty years in creative music. Starting with his trumpeter-father's influence and formative years in the U.S. Army, McPhee recounts experiences as a Black-hippy-cum-budding-musician based in upstate N…
"On the cover: Grace Jones by Tamara Palmer: Palmer delves into the entire history of this remarkable artist, who will naturally deliver us a stunning cover image. Jones is even more of a one-of-a-kind musician and persona than most of us realize, so…
Alabaster DePlume’s debut poetry collection, Looking For My Value: Prologue To A Blade, offers readers a deeper exploration of the themes of dignity, sovereignty, and the work of healing that are present in his music. Arriving as a limited gatefold c…
After the high times and critical-mass arrangements of the previous two records, Snowbug exuded a breezy, spare, morning-after vibe. Edified by all manner of world-folk, classic Brazilian pop and the first volumes of the Ethiopiques comp, the Llamas …
The remix album, with marvelously creative EDM remakes from some of the best powerbook players of the day: Mouse On Mars, Jim O’Rourke, Kid Loco, Schneider TM, Stock, Hausen & Walkman, Cornelius and The High Llamas themselves. In addition to showcasi…
Having passed – at least figuratively – through hundreds of years over the course of their previous two albums, the good ship High Llamas docked, fully loaded, into a congenial present moment for once in its life. O’Hagan’s continued work with Tim Ga…
The High Llamas discover America – yes, it had been done before, but not via their envisaged pilgrims’ passage. Energized by the breakthroughs of Gideon Gaye, they went all-in, producing a wide-screen epic further exploring their unique agenda. The r…
This brave foray into conceptual art music produced a jaw-dropping reset on the 20th century pop perspective. The High Llamas engaged songwriting and production with an eye toward filmmaking. Digging through ephemera of choice vintages with post-mode…
*1st ever LP pressing!* For The Llamas’ 1992 debut, Sean O’Hagan, working the sextant to navigate a post-Microdisney course in the musical world, posted them up as a guitar pop band (RIYL: NRBQ, Big Star, Steely Dan), with nine exquisitely crafted ex…